{"id":1121,"date":"2026-04-27T13:56:57","date_gmt":"2026-04-27T13:56:57","guid":{"rendered":"https:\/\/greenstorytelling.dk\/?p=1121"},"modified":"2026-05-27T08:05:38","modified_gmt":"2026-05-27T08:05:38","slug":"new-research-on-how-stories-communicate-climate-challenges","status":"publish","type":"post","link":"https:\/\/greenstorytelling.dk\/?p=1121","title":{"rendered":"New research on how stories communicate climate challenges"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1121\" class=\"elementor elementor-1121\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4ef15505 e-flex e-con-boxed e-con e-parent\" data-id=\"4ef15505\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-558be697 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"558be697\" data-element_type=\"widget\" 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data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4ee3c324 animated-slow elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"4ee3c324\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;_animation_delay&quot;:200}\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">New research on how stories communicate climate challenges<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-52cf6b87 e-flex e-con-boxed e-con e-parent\" data-id=\"52cf6b87\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7a14f2b2 elementor-widget elementor-widget-spacer\" data-id=\"7a14f2b2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5b99b34a e-flex e-con-boxed e-con e-parent\" data-id=\"5b99b34a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-3742519d e-con-full e-flex e-con e-child\" data-id=\"3742519d\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-442aab57 animated-slow elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"442aab57\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;_animation_delay&quot;:300}\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h5 class=\"elementor-heading-title elementor-size-default\">- With 10 recommendations for storytellers<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-6cd6ccd8 e-flex e-con-boxed e-con e-parent\" data-id=\"6cd6ccd8\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-fed9322 elementor-widget elementor-widget-spacer\" data-id=\"fed9322\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3e80be6a animated-slow elementor-widget-divider--view-line elementor-invisible elementor-widget elementor-widget-divider\" data-id=\"3e80be6a\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;_animation_delay&quot;:400}\" data-widget_type=\"divider.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-189a6ca6 animated-slow elementor-invisible elementor-widget elementor-widget-image\" data-id=\"189a6ca6\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;_animation_delay&quot;:500}\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"800\" height=\"448\" src=\"https:\/\/greenstorytelling.dk\/wp-content\/uploads\/2026\/04\/Articleheaderimg_web-1024x574.jpg\" class=\"attachment-large size-large wp-image-1127\" alt=\"\" srcset=\"https:\/\/greenstorytelling.dk\/wp-content\/uploads\/2026\/04\/Articleheaderimg_web-1024x574.jpg 1024w, https:\/\/greenstorytelling.dk\/wp-content\/uploads\/2026\/04\/Articleheaderimg_web-300x168.jpg 300w, https:\/\/greenstorytelling.dk\/wp-content\/uploads\/2026\/04\/Articleheaderimg_web-768x431.jpg 768w, https:\/\/greenstorytelling.dk\/wp-content\/uploads\/2026\/04\/Articleheaderimg_web-1536x861.jpg 1536w, https:\/\/greenstorytelling.dk\/wp-content\/uploads\/2026\/04\/Articleheaderimg_web.jpg 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-259057cf elementor-widget elementor-widget-spacer\" data-id=\"259057cf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d61e017 e-flex e-con-boxed e-con e-parent\" data-id=\"d61e017\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-4cd5e736 e-con-full e-flex e-con e-child\" data-id=\"4cd5e736\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-26d6a0fc animated-slow elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"26d6a0fc\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;_animation_delay&quot;:600}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><strong>How can something difficult about climate be communicated through stories?<\/strong><br \/>In recent years, an increasing number of cultural works \u2013 such as films, series, and novels \u2013 have dealt with climate change. Works such as Phie Ambo\u2019s documentary film Ilden, Vandet, Jorden, Luften (2026) or Thomas Vinterberg\u2019s series I familiar som vores (TV 2, 2025) show how stories can reflects upon or rethink the human relationship with water and weather. It also depicts how life is reshaped in a changing world. Similarly, Andri Sn\u00e6r Magnason\u2019s novel On Time and Water (2021, in Icelandic: Um t\u00edmann og vatni\u00f0) combines various narrative forms to explore the emotional reactions and ethical questions raised by melting glaciers.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5dcaddcd e-con-full animated-fast e-flex elementor-invisible e-con e-child\" data-id=\"5dcaddcd\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;animation&quot;:&quot;slideInDown&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-693ed115 elementor-widget elementor-widget-text-editor\" data-id=\"693ed115\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-size: 24px;\"><strong><span style=\"font-size: 28px;\">Abstract:<\/span><\/strong><\/span><br \/>This text offers recommendations on how to communicate climate challenges through<br \/>storytelling and stories. It reflects upon why stories are suitable for addressing complex concepts<br \/>connected to sustainability. It is based on the research of the Climate Blue project (explained below).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-36348603 e-flex e-con-boxed e-con e-parent\" data-id=\"36348603\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-44517154 elementor-widget elementor-widget-spacer\" data-id=\"44517154\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-122ba679 elementor-widget elementor-widget-text-editor\" data-id=\"122ba679\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>In these recommendations for storytellers interested in sustainable storytelling, we provide insights into<br \/>how you can communicate something difficult about climate through stories. Our work is based<br \/>especially on three recent articles by Axelrod &amp; Kahn (2023), Bobkowski &amp; Etheridge (2023), and Hawley<br \/>&amp; Mocatta (2022), as well as the book Creative (Climate) Communications: Productive Pathways for<br \/>Science, Policy and Society by Maxwell Boykoff (2019). See the source list below for further details.<\/p><p><strong>What special do stories have to offer?<\/strong><\/p><p>Fictional narratives can serve as mediators of elements that can spark conversations about topics such<br \/>as climate change and social issues. They can also help to bridge the gap between personal stories and<br \/>societal issues. Stories can transform complex issues into concrete and relatable ones, without making<br \/>them feel personal. For example, it is not about one\u2019s summer house by the sea, so that one does not<br \/>feel directly \u201caffected.\u201d<br \/>Research has shown that aesthetic, creative, and narrative forms can help build mental skills needed to<br \/>create sustainable transitions and understanding of them. In this context, communicating climate-<br \/>related news through, for example, graphs and statistics about rising sea level, etc., can easily tire<br \/>people rather than spark a constructive debate.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e3d9e91 elementor-widget elementor-widget-text-editor\" data-id=\"e3d9e91\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-size: 20px;\"><b>Recommendations for communicating something difficult \u2013 related to the climate crisis \u2013 through stories<\/b><\/span><\/p><p><span style=\"font-size: 18px;\"><b>1) Try to ground the difficult in the familiar<br \/><\/b>Axelrod &amp; Kahn (2023) show that learning is enhanced when data is linked to personal stories. In<\/span><br \/><span style=\"font-size: 18px;\">storytelling, this means, for example:<\/span><\/p><ul><li><span style=\"font-size: 18px;\">Start with the personal (family, relationships, everyday life)<\/span><\/li><li><span style=\"font-size: 18px;\">Let the difficult (migration, climate, crises) grow out of the familiar<\/span><\/li><\/ul><p><span style=\"font-size: 18px;\"><br \/>This makes complex topics emotionally accessible.<\/span><\/p><p><span style=\"font-size: 18px;\"><b>\u00a0<\/b><\/span><\/p><p><span style=\"font-size: 18px;\"><b>2) Make use of so-called \u2018intergenerational\u2019 perspectives<\/b><\/span><\/p><p><span style=\"font-size: 18px;\">Families often engage in a dialogue across generations. In storytelling, you can, for example:<\/span><\/p><ul><li><span style=\"background-color: transparent;\"><span style=\"font-size: 18px;\">Show how generations understand climate challenges differently<\/span><\/span><\/li><li><span style=\"font-size: 18px;\">Let conflicts and reconciliations emerge through memories, stories and information<\/span><\/li><\/ul><ul><li><span style=\"font-size: 18px;\">Use migration, climate, or crises as something that is experienced differently by young and older people<\/span><\/li><\/ul><div><span style=\"font-size: 18px;\">\u00a0<\/span><\/div><p><span style=\"font-size: 18px;\">This creates depth and complexity without becoming didactic.<\/span><\/p><p><span style=\"font-size: 18px;\">\u00a0<\/span><\/p><p><span style=\"font-size: 18px;\"><span style=\"font-weight: bold;\">3)\u00a0<\/span><b>Create \u2018co-creations\u2019 between narratives and the audience<\/b><\/span><\/p><p><span style=\"font-size: 18px;\">Creativity and co-creation of stories (Andersen, 2022; Boykoff, 2021) can open up new perspectives. The so-called CSAT* model can be applied to dialogue-creating narratives:<\/span><\/p><ul style=\"background-color: #ffffff; font-size: 20px;\"><li><span style=\"background-color: transparent;\"><span style=\"font-size: 18px;\">Let the audience help piece things together or come up with hypotheses<\/span><\/span><\/li><li><span style=\"font-size: 18px;\">Avoid explaining everything and thereby create space for interpretation and involvement<\/span><\/li><\/ul><div><span style=\"font-size: 18px;\">\u00a0<\/span><\/div><p><span style=\"font-size: 18px;\">This makes difficult topics more engaging and less instructive. Take, for example, the series Familier som vores (2024) or the film F\u00f8r Stormen (2023) as a starting point and involve the audience in finding new solutions to the story\u2019s dilemmas. Or involve them in thinking: \u201cWhat if this action took place here? How should we approach it then?\u201d<\/span><\/p><p><span style=\"font-size: 18px;\"><i>*CSAT = Co-Construct, Situate, Advance a Theory; more about CSAT model below<\/i><\/span><\/p><p><span style=\"font-size: 18px;\"><i>\u00a0<\/i><\/span><\/p><p><span style=\"font-size: 18px;\"><span style=\"font-weight: bold;\">4)\u00a0<\/span><b>Offer the audience hope and a sense of agency<\/b><\/span><\/p><p><span style=\"font-size: 18px;\">Hawley &amp; Mocatta (2022) emphasize the importance of replacing hopelessness and climate anxiety with hope and agency. In storytelling, this means, for example:<\/span><\/p><ul style=\"background-color: #ffffff;\"><li><span style=\"font-size: 18px;\">Avoid purely dystopian narratives<\/span><\/li><li><span style=\"font-size: 18px;\">Show small, realistic, and relatable actions that make a difference<\/span><\/li><\/ul><ul style=\"background-color: #ffffff;\"><li><span style=\"font-size: 18px;\">Let characters find solutions, not just problems<\/span><\/li><li><span style=\"font-size: 18px;\">Focus on so-called \u201cunderdog\u201d characters who overcome difficult challenges despite the odds \u2013 such as the film Erin Brockovich (2000)<\/span><\/li><\/ul><div><span style=\"font-size: 18px;\">\u00a0<\/span><\/div><p><span style=\"font-size: 18px;\">This makes heavy topics such as climate, coastal protection, or other crises more bearable and hopeful to discuss.<\/span><\/p><p><span style=\"font-size: 18px;\">\u00a0<\/span><\/p><p><span style=\"font-size: 18px;\"><span style=\"font-weight: bold;\">5)\u00a0<\/span><b>Use \u2018fact-based dreaming\u2019<\/b><\/span><\/p><p><span style=\"font-size: 18px;\">From Hawley &amp; Mocatta\u2019s article (2022), we learn to combine facts with visions. In fiction, you can, for example:<\/span><\/p><ul style=\"background-color: #ffffff;\"><li><span style=\"font-size: 18px;\">Let characters imagine alternative futures and scenarios<\/span><\/li><li><span style=\"font-size: 18px;\">Use dreams or imagination as narrative devices<\/span><\/li><\/ul><ul style=\"background-color: #ffffff;\"><li><span style=\"background-color: transparent;\"><span style=\"font-size: 18px;\">Make the difficult concepts more manageable and relatable through concrete examples<\/span><\/span><\/li><\/ul><div><span style=\"font-size: 18px;\">\u00a0<\/span><\/div><p><span style=\"font-size: 18px;\"><span style=\"font-weight: bold;\">6)\u00a0<\/span><b>Let characters ask critical questions<\/b><\/span><\/p><p><span style=\"font-size: 18px;\">Bobkowski &amp; Etheridge emphasize the importance of critical questions. In storytelling, you can, for example:<\/span><\/p><ul style=\"background-color: #ffffff;\"><li style=\"font-size: 20px;\"><span style=\"background-color: transparent;\"><span style=\"font-size: 18px;\">Let characters discover flaws, make mistakes \u2013 and use this as a plot device<\/span><\/span><\/li><li><span style=\"font-size: 18px;\">Let this create suspense and reflection<\/span><\/li><\/ul><div><span style=\"font-size: 18px;\">\u00a0<\/span><\/div><p><span style=\"font-size: 18px;\">This makes heavy topics such as climate, coastal protection, or other crises more bearable and hopeful to discuss.<\/span><\/p><p><span style=\"font-size: 18px;\">\u00a0<\/span><\/p><p><span style=\"font-size: 18px;\"><span style=\"font-weight: bold;\">7)\u00a0<\/span><b>Establish connections between the individual and the structural<\/b><\/span><\/p><p><span style=\"font-size: 18px;\">Axelrod &amp; Kahn (2023) show that families link personal migration experiences to larger societal conditions. In storytelling, you can, for example:<\/span><\/p><ul style=\"background-color: #ffffff;\"><li style=\"font-size: 20px;\"><span style=\"background-color: transparent;\"><span style=\"font-size: 18px;\">Let a personal story reflect a larger crisis<\/span><\/span><\/li><li><span style=\"font-size: 18px;\">Let small choices have large consequences<\/span><\/li><li><span style=\"font-size: 18px;\">Use micro-histories to shed light on macro-problems<\/span><\/li><li><span style=\"font-size: 18px;\">Make complex topics understandable without oversimplifying them<\/span><\/li><\/ul><div><span style=\"font-size: 18px;\">\u00a0<\/span><span style=\"font-size: 18px; letter-spacing: 0px;\">\u00a0<\/span><\/div><p><span style=\"font-size: 18px;\"><span style=\"font-weight: bold;\">8)\u00a0<\/span><b>Use ecocinematic techniques: sensuality and ethics<\/b><\/span><\/p><p><span style=\"font-size: 18px;\">Ecocinema (Hawley &amp; Mocatta, 2022) is about creating experiences that, among other things, connect nature, ethics, and emotions. In storytelling, you can, for example:<\/span><\/p><ul style=\"background-color: #ffffff;\"><li style=\"font-size: 20px;\"><span style=\"background-color: transparent;\"><span style=\"font-size: 18px;\">Use slow, sensory scenes to encourage reflection<\/span><\/span><\/li><li><span style=\"font-size: 18px;\">Let nature be a participant in the story\/dialogue<\/span><\/li><li><span style=\"background-color: transparent;\"><span style=\"font-size: 18px;\">Use silence, images, and mood to communicate difficult concepts<\/span><\/span><\/li><\/ul><div><span style=\"font-size: 18px;\">\u00a0<\/span><\/div><p><span style=\"font-size: 18px;\">In that way, you can give space to reflection rather than over-explanation.<\/span><\/p><p><span style=\"font-size: 18px; letter-spacing: 0px;\">\u00a0<\/span><\/p><p><span style=\"font-size: 18px;\"><span style=\"font-weight: bold;\">9)\u00a0<\/span><b>Let \u2018data\u2019 become characters<\/b><\/span><\/p><p><span style=\"font-size: 18px;\">Axelrod &amp;\u00a0<\/span><span style=\"font-size: 18px; letter-spacing: 0px;\">Kahn (2023) illustrate that data becomes meaningful only when it is connected to people. In storytelling, you can do the same:<\/span><\/p><ul style=\"background-color: #ffffff; font-size: 20px;\"><li><span style=\"font-size: 18px;\">Let a graph, a number, or a statistic be what drives a character on a journey<\/span><\/li><li><span style=\"font-size: 18px;\">Make data part of the character\u2019s identity or conflict<\/span><\/li><\/ul><div><span style=\"font-size: 18px;\">\u00a0<\/span><\/div><p><span style=\"font-size: 18px;\">But make sure that data is connected to emotions; otherwise, data in itself can have a demotivating effect on recipients of the story or on those participating in a debate about it.<\/span><\/p><p><span style=\"font-size: 18px;\">\u00a0<\/span><\/p><p><span style=\"font-size: 18px;\"><span style=\"font-weight: bold;\">10)\u00a0<\/span><b>Show aspects of sustainability and climate action through subtle elements in the story<\/b><\/span><\/p><p><span style=\"font-size: 18px;\">Show characters cycling, living peacefully by the sea, fishing, growing their own vegetables, seaweed, and so on.<\/span><\/p><p><span style=\"font-size: 18px;\">This way, you avoid moralizing narratives in which the sea and climate challenges become tiring and \u201cin your face\u201d to watch or listen to. Instead, you inspire through elements that are subtle and stand in the background of the story.<\/span><\/p><p><b>Recent Danish series that incorporate climate\/nature relations<\/b><\/p><ul style=\"background-color: #ffffff;\"><li><span style=\"font-size: 18px;\"><span style=\"font-size: 18px;\"><i>Valdes jul \u2013 Skovens vogter <\/i><br \/>Director: Morten Boesdal Halvorsen <br \/>Year: 2023 <br \/>Type: TV Christmas calendar (TV 2, Cosmo Film)<\/span><\/span><\/li><li><span style=\"font-size: 18px;\"><i>Valdes jul \u2013 Vintermiraklet <\/i><br \/>Director: Morten Boesdal Halvorsen <br \/>Year: 2025 <br \/>Type: TV Christmas calendar (TV 2, Cosmo Film)<\/span><br \/><p style=\"font-size: 18px;\">\u00a0<\/p><\/li><li><span style=\"font-size: 18px;\"><i>Familier som vores<\/i><\/span><br \/><span style=\"font-size: 18px;\">Director: Thomas Vinterberg\u00a0<br \/><\/span>Year: 2024 <br \/>Type: TV series (TV 2, Zentropa)<\/li><\/ul><div>\u00a0<\/div><div>\u00a0<\/div><div><p><b>Recent Danish films that incorporate climate\/nature relations<br \/><\/b><\/p><ul style=\"background-color: #ffffff;\"><li><span style=\"font-size: 18px;\"><i>F\u00f8r stormen<\/i><\/span><br \/><span style=\"font-size: 18px;\">Director: Juan Palacios (co-director: Sofie Husum Johannesen) <br \/>Year: 2024 <br \/>Type: Documentary film<\/span><\/li><li><span style=\"font-size: 18px;\"><i>Det sidste paradis p\u00e5 jord<br \/><\/i>Director: Sakaris St\u00f3r\u00e1 <br \/>Year: 2025 <br \/>Type: Danish\u2013Faroese feature film<\/span><br \/><p style=\"font-size: 18px;\">\u00a0<\/p><\/li><li><span style=\"font-size: 18px;\"><i>Ilden, Vandet, Jorden, Luften<\/i><\/span><br \/><span style=\"font-size: 18px;\">Directors: Phie Ambo, Ewa Cederstam, Janne Lindgren &amp; R\u00f3gvi Rasmussen <br \/>Year: 2026 <br \/>Type: Nordic documentary film<\/span><\/li><\/ul><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-644d7cc2 e-flex e-con-boxed e-con e-parent\" data-id=\"644d7cc2\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-63f755c animated-slow elementor-widget-divider--view-line elementor-invisible elementor-widget elementor-widget-divider\" data-id=\"63f755c\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;_animation_delay&quot;:400}\" data-widget_type=\"divider.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-69f2af5 elementor-widget elementor-widget-text-editor\" data-id=\"69f2af5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>Why stories matter in climate communication?<\/b><\/p><p>The American researcher Maxwell Boykoff shows that media coverage of the climate crisis peaked around COP15 in 2009 and has since declined (Boykoff, 2026). A major challenge is that people are tired of statistics, graphs, and worst-case scenarios. It also does not help that \u2013 unlike crises such as pandemics \u2013 the climate crisis has no clear ending. Communication, therefore, requires long-term motivation and emotional endurance.\u00a0<\/p><p>This is precisely why Boykoff highlights creative and narrative forms of engagement \u2013 such as stand-up comedy and humor \u2013 to engage people emotionally and inspire visions of the future (Angelone, 2022; Boykoff, 2019, 2026).\u00a0<\/p><p>Boykoff works, among other elements in his research, with co-construction, user involvement, and creative formats. He refers to the use of the so-called CSAT model (Co-Construct, Situate, Advance a Theory) in climate communication. He argues that audiences can benefit from being made co-creators of meaning rather than just passive recipients. He emphasizes that fiction, performance, humour, and narrative openness can make complex topics less didactic and more engaging.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e777d7c animated-slow elementor-widget-divider--view-line elementor-invisible elementor-widget elementor-widget-divider\" data-id=\"e777d7c\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;_animation_delay&quot;:400}\" data-widget_type=\"divider.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-a060816 e-flex e-con-boxed e-con e-parent\" data-id=\"a060816\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-98ff76c elementor-widget elementor-widget-text-editor\" data-id=\"98ff76c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>What is Climate Blue?<\/b><\/p>\n<p>The recommendation in this text were built on the work of SDU researchers Lotte Thing Rasmussen (Center for Citizen Science), Sara Mosberg Iversen and Heidi Philipsen (Media Studies). We developed a so-called \u2018LibGuide\u2019, intended for municipalities to use it to communicate climate and coastal issues to citizens through storytelling. In this text, we presented the key points from this work, so that this knowledge can be used by film or series creators. LibGuide was created thanks to the knowledge generated by work package no.4 (WP4) which forms one part of the Climate Blue project. Climate Blue is a Danish-German cooperative project focused on the development of solutions for climate adaptation in coastal areas of Denmark and Germany. The SDU project, which runs from 2025 to 2028, involves a multidisciplinary research team working with citizens, municipal staff, and the Danish Coastal Authority (Kystdirektoratet). The aim is to strengthen the public debate on climate change and to develop sustainable strategies for coastal adaptation and retreat. Read more about the project here:&nbsp;<span style=\"letter-spacing: 0px;\"><a href=\"https:\/\/www.sdu.dk\/da\/forskning\/sdu-climate-cluster\/news\/climateblue?utm_source=copilot.com\">https:\/\/www.sdu.dk\/da\/forskning\/sdu-climate-cluster\/news\/climateblue?utm_source=copilot.com<\/a><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d471a9e elementor-widget elementor-widget-text-editor\" data-id=\"d471a9e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>We have gained insights about climate communication through storytelling mainly from the following points:<\/b><\/p><ul><li>Learning and debate are strengthened when data are connected to personal, familial, and cultural experiences or encounters <span style=\"font-size: 16px;\"><span style=\"font-size: 16px;\">(Axelrod &amp; Kahn, 2023).<\/span><\/span><\/li><li>Stories can function as mediating artefacts that open up difficult conversations,\u00a0<span style=\"font-size: 16px;\">for example about economic or social conditions (Axelrod &amp; Kahn, 2023).<\/span><\/li><li>Narratives can foster a focus on hope and agency\u00a0<span style=\"font-size: 16px;\">\u2014a willingness to act\u2014related to challenges such as the climate crisis (Hawley &amp; Mocatta, 2022).<\/span><br \/><p style=\"font-size: 16px;\">\u00a0<\/p><\/li><li>Storytelling can help lift a debate beyond an individual\u2019s private struggles and situate them within a broader, shared perspective,\u00a0<span style=\"font-size: 16px;\">as narratives inherently offer shifts in viewpoint through their characters.<br \/><br \/><\/span><\/li><li>Humour in storytelling can reduce the distance between people who disagree <span style=\"font-size: 16px;\">(Boykoff, 2021).<\/span><\/li><\/ul><p><span style=\"font-size: 16px;\">\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f7aff5c elementor-widget elementor-widget-text-editor\" data-id=\"f7aff5c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>References (from the literature review):<\/b><\/p><b>\n<\/b><p><b><\/b><\/p>\n<p>Axelrod, D., &amp; Kahn, J. (2023). Families&#8217; discursive practices in data discussions about migration histories. <br>Discourse Processes, 60(6), 457\u2013477. <a href=\"https:\/\/doi.org\/10.1080\/0163853X.2023.2225981\">https:\/\/doi.org\/10.1080\/0163853X.2023.2225981<\/a><\/p>\n<p>Andersen, M. M. T. (2022). Researching Creativity in Media Industries. Maryland: Lexington Books.&nbsp;<\/p>\n<p>Angelone, S. (2022). Don\u2019t Look Up: Science Communication Revisited. Science Communication, 44(3), 375\u2013382.&nbsp;<\/p>\n<p>Bobkowski, P. S., &amp; Etheridge, C. E. (2023). Spreadsheets, Software, Storytelling, Visualization, Lifelong Learning: Essential Data Skills for Journalism and Strategic Communication Students. Science Communication, 45(1), 95\u2013116.&nbsp;<\/p>\n<p>Boykoff, M. (2019). Creative (Climate) Communications: Productive Pathways for Science, Policy and Society. Cambridge University Press.&nbsp;<\/p>\n<p>Boykoff, M. (2026). Speech at SDU sustainability seminar (Forward Taskforce) the 17\/3-26 at SDU.&nbsp;<\/p>\n<p>Hawley, E. &amp; Mocatta, G. 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